SENSUOUS SOCIETY – BEYOND AN ECONOMIC RATIONALITY


SINCE THE FINANCIAL CRACK IN 2008 THE TIME WE HAVE BEEN LIVING IN HAS BEEN KNOWN AS ‘THE CRISIS’. THIS COMMENT EXAMINES THE CRISIS, NOT JUST AS A SLUMP IN THE OUTPUT OF INDUSTRIAL CAPITALISM, BUT RATHER AS A SIGN THAT THE ECO- NOMIC PARADIGM IS NEARING ITS END AS THE DOMINANT LOGIC OF SOCIETY.

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Western society has been based on economical imperatives such as optimization and rationality, which leaves no space for more sensuous, inspired and gentle modes of being. These values could very well form an emerging paradigm that I call the ‘Sensuous Society’.

Relatively new terms such as work-life balance, corporate social responsibility and triple bottom lines point towards the need for adjustments. Even before the financial crack this was recognized by many agents in the corporate world, but there is a risk that companies clinging to old values will not be able to adapt.

In the sensuous society the general mode of being is defined by the aesthetic dimension, that has exactly the sensuous experience at is core (according to Baumgarten and the aesthetic philosophy following him). That means that the current economic rationality that dominates all spheres of societies today will be replaced. So, it is a very radical idea.

The basic principles of societies have changed several times. As Joseph Campbell points out, one can tell which dimension has dominated at a give time by looking at the tallest building in the city. Up until the Middle Ages – The church (and the basic premises of the religious dimension: to transcend, a relation to a god/the gods, spirituality…), and now (since the industrialization) – The financial centers and the basic premises of the economic dimension: I think most would agree that we are still living in the economic dimension and it determines our fundamental mode of being in the world. But a new time, allowing for a more sensuous mode of being in the world, seem to approach. Once it’s there you must be ready for it!

The notion of a sensuous society furthermore reshapes the role of art and artistic practice. The exclusive autonomous art system is also a result of the dominance of the economic dimension. Within this autonomous zone the art genius is a celebrated figure, which is conceived as someone with a very special (transcending) intelligence.

In a sensuous society however, I believe that this will be a more common intelligence, as for example Joseph Beuys points at – Simply, because we all have this creative potential within us, and if our outset and mode of being in the world is the sensuous, this potential will be released. Of course, there will be some, who are better at navigating in the sensuous society, those with special artistic talents.

We should pay a lot of respect to that craftsmanship and continuously refine it – But much more people than those crystallized as artists today have artistic talent that will be discharged and cultivated in a sensuous society, which it would never have been in the economic. Are you ready for the change?

Gry Worre Hallberg, Partner Sensuous society, universe design, evoking new visions, mindset-shifting, staging transitions, performance art and design, aesthetics and poetry, research and analysis, movements. Fiction Pimp, lecturer and performance artist. Operate in the intersection of performance art, research, activism and future studies. Currently works on the project The Sensuous Society: Beyond economic rationality – Suggesting a sensuous mode of being in the world as the outset of a new paradigm going beyond economic rationality. For many years she has aimed at enriching environments with an aesthetic dimension through the use of performance art, universe design and ‘fiction pimping’. She is the co-founder of a range of organizations and movements within the field of performance art applied in a series of different everyday-life contexts, not at least the streets, among them Fiction Pimps (recent project: The Velvet State), Sisters Hope (ongoing project: Sisters Academy), Club de la Faye, Staging Transitions and The Poetic Revolution. She has completed several projects, articles and publications on intervening and relational performance art and new societies. Besides her performance art-practice Gry has a MA in Theatre- and Performance Studies, with a minor in Cultural Economy and Aesthetic Leadership, and is also an Associate at RUC, Roskilde University Center, DK, in Performance Design. Gry is the head curator of the Dome of Visions and is curating the performance-art program at the Roskilde Festival. m: +45 26247734 e: gry@houseoffutures.dk s: gryworrehallberg w: www.fictionpimps.com

Posted in Movers & shakers, Sensing & aestethic experiences, Sensuous Society
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